Nonfiction Lies, lies, lies. We all tell them even though we are told from an early age not to. In this very entertaining book, the author postulates that what made our brains so superior to other primates’ was our ability to invent and use our imagination, in other words to tell lies. He touches on a variety of subjects such as developmental psychology, theology, mesmerism, Benjamin Franklin, and the lie detector. I particularly enjoyed the part about "mental reservation" by which Catholics were allowed to omit certain truths by adding words in their head. A delight!
Henrietta Lacks was an Afro-American woman who lived in the 1950s. She had cervix cancer and had some of the diseased tissue removed without her consent. Her cells were the first ones that scientists were able to harvest and grow, and they multiplied like crazy. With the help of Henrietta’s cells, the polio vaccine was developed as well as numerous other medical benefits. In fact, her cells have been used by medical researchers worldwide. Henrietta died but her children never knew at the time that her cells were taken from her and were used for research.
Whether at the casino or in a doctor's office, why are we so bad at calculating odds? Why are rats better at recognizing random sequences than we are? And what can we do to not be ruled by randomness?
The author taught in Tehran before and after the Revolution and the war against Irak. She loves her homeland but is oppressed by the regime. She quits her job at the University but chooses a few female students and teaches them illegally at her home. Their lives are entertwined with the banned books that are being studied, works by F. Scott Fitzgerald, Henry James, Jane Austen, and Vladimie Nabokov. The women do not live fullfilled lives because they do not have the freedom to tap into their potential. A lot of them end up leaving the country.
Sedaris has fashioned a funny memoir of his wonderfully offbeat life. To call his family "dysfunctional" would be enormous understatement and beside the point; Sedaris's relatives and other companions become vital characters on the page. We see his mother serving drinks to the string of teachers who want to discuss her son's compulsions to lick light switches and make high-pitched noises.
Delightful compilation of essays circling the theme of death and dying, with nods to the French countryside, art collecting and feces. (New York Times)